Pirelli hangarbicocca via chiese 2

Pirelli HangarBicocca is a non-profit foundation, established increated and entirely supported by Pirelli, which has converted a former industrial plant in Milan into an institution for producing and promoting contemporary art. This dynamic center for experimentation and research covers 15, square meters, making it one of the largest contiguous exhibition spaces in Europe. It presents major solo shows every year by Italian and international artists, with each project conceived to work in close relation to the architecture of the complex, and explored in depth through a calendar of parallel events.

Admission to the space and the shows is completely free of charge, and facilitators are on hand to help the public connect with the art. The complex, which once housed a locomotive factory, includes an area for public services and educational activities, and three exhibition spaces whose original twentieth-century architectural features have been left clearly visible: Shed, Navate, and Cubo.

Online Exhibit Anselm Kiefer. Online Exhibit Chen Zhen. Short-circuits Pirelli HangarBicocca. Online Exhibit Trisha Baga. Online Exhibit Cerith Wyn Evans. Online Exhibit Sheela Gowda. Remains Pirelli HangarBicocca. Online Exhibit Mario Merz. Igloos Pirelli HangarBicocca. Online Exhibit Leonor Antunes. Online Exhibit Matt Mullican.

Online Exhibit Lucio Fontana. Online Exhibit Rosa Barba.


Online Exhibit Miroslaw Balka. Online Exhibit Laure Prouvost. Online Exhibit Kishio Suga. Situations Pirelli HangarBicocca. Doubt Pirelli HangarBicocca. Online Exhibit Petrit Halilaj. Online Exhibit Philippe Parreno. Hypothesis Pirelli HangarBicocca. Explore Pirelli HangarBicocca — Entrance.

pirelli hangarbicocca via chiese 2

Explore Pirelli HangarBicocca — Outdoor. Monday Closed.Pirelli HangarBicocca is open to the public from Thursday to Sunday, Admission is free upon reservation.

Bubbles are in-depth contents that gravitate around the exhibitions and cultural projects put on by Pirelli HangarBicocca. In these Bubbles you can watch videos Watchlisten to audio and playlists Listenread in-depth texts Readfind out the latest on the contemporary arts Connectand take part in live events Experience. The spaces of the work The Seven Heavenly Palaces by Anselm Kiefer have been made available for vaccination: access to the permanent installation is temporarily suspended.

The project can also be accessed on an interactive online page built as a work of art of which the show presents a version that can be activated by the viewer. Enjoy it! For any information about the Vaccination Hub Pirelli HangarBicoccaplease contact or visit the website www.

pirelli hangarbicocca via chiese 2

Access to the Vaccination Hub is in Viale Sarca Dear User, Privacy is a value that the Pirelli HangarBicocca foundation the personal data controller recognizes and respects. Before opting to provide us with your personal data, please read the privacy statement concerning the use we will make of it. If you give your consent, we will use your personal data to send you information concerning events and conferences organized by the Pirelli HangarBicocca foundation by e-mail.

Unless you ask us to do otherwise, your personal data will be kept for a period of 24 twenty-four months after the last notification sent to you by the Pirelli HangarBicocca foundation. You may at any time exercise your rights as per Art. If you believe there has been any violation of your rights under privacy laws, you may also file a complaint with the Italian Data Protection Authority www.

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13.11.2020 - Trisha Baga - The Reading Society - Pirelli HangarBicocca

Connect Bubbles. Watch Bubbles. Listen Bubbles. Read Bubbles.Chen Zhen Short-circuits. For Chen Zhen—among the first generation of contemporary Chinese artists who established themselves in Europe starting from the s, and part of a diaspora emblematic of the growing globalization of the international art system—concepts such as misunderstanding and cultural short-circuiting also have a positive meaning, as they represent elements that generate new creative and meaningful spaces outside of defined and monolithic identities.

Starting from the generation of Chen Zhen through to the most recent generations, various protagonists and scholars who have worked and lived in both contexts aim to redraw a broader and more layered perspective on the art scene and its cultural and geopolitical implications:. Marcello Ghilardi is associate professor of Aesthetics at the University of Padua.

His research interests pivot on intercultural philosophy and the relationship between art and thought in the interchange between European and Sino-Japanese traditions.

She was elected vice-president of the Society for the Study of Chinese Religions. Her academic focus is on Daoism, gender, sexuality and religion in China, specifically from the Qing to the Republican period. He founded and directed for a decade the first not-for-profit independent creative lab in Shanghai, BizArt Art Center, as a platform to foster the local contemporary art scene.

In Quadrio created Arthub, a production and curatorial proxy active in Asia and worldwide. Wang Xin is an art historian and curator based in New York. She is co-editor of the anthology Negotiating Difference. Konstruktionen chinesischer Gegenwartskunst im Spannungsfeld der Globalisierung transcript Mia Yu is a Beijing-based art historian and curator specialized in Asian contemporary art.

Skip to content. Eternal Misunderstanding. Fragments of Culture and Art from Contemporary China. Watch Bubbles. Short-circuits Video. Short-circuits Video Wang Xin.Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio. In this process, the artist refers to himself as an editor, an assembler that puts together information that already exists only to break it down again and show us the outcome without making any moral judgement.

Digital Mourningcurated by Roberta Tenconi, stems from a reflection on the current times and on the concept of life in our digital world. Right from the title, the exhibition alludes to one of the most striking paradoxes of contemporary society, which is the existence inside a technological world and its parallel disappearance. Together, these form part of a computerized activation and re-editing system that abolishes any hierarchy between the different types of information.

As a further reflection on the real and virtual dimensions and the value of an artwork, the hosts are also digital entities and are collectibles as crypto-art and non-fungible tokens NFTallowing users to trade them on the web as cryptocurrency. The various installations turn Digital Mourning into an immersive environment, where the switching on and off of one or more works at the same time creates a choreography in which some works come to life while others lie in frozen sleep.

While making a new total artwork out of former works, the exhibition is as well adapting the way we consume culture these days, for example by playing with the flux of information and the attention span standard viewers have or by providing QR code links to watch films directly at home.

The catalogue On the occasion of the Digital Mourning exhibition, Pirelli HangarBicocca is partner in publishing the first monographic catalogue ever realised on the artist.

Concurrently it is on view at Pirelli HangarBicocca the ongoing exhibition Short-circuits dedicated to Chen Zhennow extended until June 6, Search for. Facebook Twitter Instagram Privacy policy. February 25, Pirelli HangarBicocca. There is nothing related. Click to subscribe to e-flux and be the first to receive the latest news on international exhibitions and all e-flux related announcements.

Thank you for your RSVP. Pirelli HangarBicocca will be in touch. Subscribe to e-flux. Be the first to receive the latest news on international exhibitions and all e-flux related announcements.

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Subscribe to architecture.Mario Merz, Untitled Courtesy Fondazione Merz, Turin. Photo: Rita Burmester. Pirelli HangarBicocca presents the exhibition program, offering visitors a groundbreaking perspective on contemporary art that alternates exhibitions by established artists with younger talents in its two exhibition spaces, the Navate and the Shed. Press preview: February 13 Opening: February Using traditional materials—such as rope, wood, brass, leather, rubber and cork—and employing ancient artisan or manual techniques, Berlin-based artist Leonor Antunes born in Lisbon creates elegant sculptures and installations that investigate the significance of everyday objects and the social role of art and design as a means to improve living conditions.

For her first exhibition in Milan, Leonor Antunes presents a new body of works and a site-specific installation for the Shed space. Engaging with the specific local context, Antunes reflects on the modernist tradition in Milan, and particularly on pioneering architects and designers such as Franca HelgBruno Munariand Franco Albiniwho become a source of inspiration for a series of floor, hanging, and standing pieces. The work of Mario Merz —a leading figure in Arte Povera, delves into the processes of transformation found in nature and in human life.

One of the first artists in Italy to work in the medium of installation, he began in the s to move past the two-dimensionality of painting by piercing his canvases and objects with neon tubing. Inhe introduced what became one of the most recurrent motifs in his work: the igloo, a structure he would continue to explore throughout his career.

His igloos, a metaphor for inhabited places and spaces, often have metal frames covered in fragments of materials as varied as clay, glass, stone, jute, and iron. The exhibition is realized in collaboration with Fondazione Merz in Turin and will bring together in the Navate space of Pirelli HangarBicocca over thirty igloos made between andexamining the most significant facets and themes in this body of work: for instance, the relationship between inside and outside, between conceptual and physical place, between individual and collective space.

Search for. Facebook Twitter Instagram Privacy policy. December 16, Curated by Roberta Tenconi Leonor Antunes Shed September 14, —January Press preview: September 12 Opening: September 13 Using traditional materials—such as rope, wood, brass, leather, rubber and cork—and employing ancient artisan or manual techniques, Berlin-based artist Leonor Antunes born in Lisbon creates elegant sculptures and installations that investigate the significance of everyday objects and the social role of art and design as a means to improve living conditions.

Pirelli HangarBicocca. There is nothing related. Share - exhibition program. Click to subscribe to e-flux and be the first to receive the latest news on international exhibitions and all e-flux related announcements.

Subscribe to e-flux. Be the first to receive the latest news on international exhibitions and all e-flux related announcements.Pirelli Hangar Bicocca is a site for contemporary art exhibitionslocated in the Bicocca district of MilanItaly. The building used to be a Pirelli factory. It was converted into 10, square metres of exhibition galleries in HangarBicocca, set up inofficially became a foundation in after a process of restoration of the former factory premises.

On the outside, the building has retained the industrial character of the company to which it belonged. The original rough concrete floors and high ceilings typical of the industrial style of the time have been preserved: in the room containing Anselm Kiefer 's permanent installation The Seven Heavenly Palaces, traces of the rails used to test locomotives are still visible.

Pirelli HangarBicocca

While maintaining the original inductive character of the typical industrial building of the s, made of exposed brick, low height, with double-pitched roofs and large skylights, components for locomotives and agricultural machinery were produced here.

This is the biggest area of the foundation and it is meter-high building that permanently accommodates the sculptural installation The Seven Heavenly Palaces by Anselm Kiefer. The cube is a barrel-vaulted cubic body characterised by the fact that, as opposed to the other exhibition spaces in the complex, it enjoys natural lighting as it was used to test electric turbines.

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Art museum in Milan, Italy. Milano: Mousse Publishing.

pirelli hangarbicocca via chiese 2

ISBN OCLC Archived from the original on I luoghi del contemporaneo - The Places of Contemporary Art Gangemi Editore. Lo spettacolo della cultura e della bellezza al tempo di Expo. The dialog continues". Retrieved Beyond Decommissioning. The Reuse and Redevelopment of Nuclear Installations.

Woodhead Publishing. Authority control. France data Catalonia United States.As a result, BET heavily censors suggestive content from the videos that it airs, often with entire verses and scenes removed from certain rap videos. The BET website streamed the funeral live, while the channel periodically broadcast taped, 60-second reports from the funeral by senior news correspondent Andre Showell.

Michael Lewellen, BET's senior vice president for corporate communications, defended the decision: "We weighed a number of different options. In the end, we chose to offer a different kind of experience for BET viewers. Coates and his organization Enough is Enough led protests every weekend outside the residences of BET executives against what they claim are negative stereotypes of black people perpetuated by BET music videos. I suggest to my kids that they don't watch it," she said.

We had public affairs programming. I had a show called Teen Summit, we had a large variety of programming, but the problem is that then the video revolution started up. And then something started happening, and I didn't like it at all. And I remember during those days we would sit up and watch these videos and decide which ones were going on and which ones were not.

We got a lot of backlash from recording artists. I didn't like the way women were being portrayed in these videos. The program contained mature content, including highly sexualized imagery. Because of its content, the show was rated TV-MA and accompanied by an on-air message stating that it is not suitable for children under the age of 17. The show aired on Wednesdays through Fridays at 3 a. Though some of the videos were from well-known hip hop artists, most were from lesser-known artists, and the production value of the videos was often quite poor.

From Wikipedia, the free encyclopedia Jump to: navigation, searchFor other uses, see Bet. TV by the Numbers. Retrieved February 24, 2015. Retrieved June 29, 2016. Archived from the original on September 12, 2008.

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